'After death, what truth is there to speak of?'
Maksim Gorki
This story, which Fyodor Dostoevsky described as fantastic, was written just after a suicide.
is about the internal reckoning that follows. After her husband's suicide
trying to find the cause and build bridges with the past, Adam tries to find out why she is dead.
constantly trying to communicate with his body. But the 'truth' is never
as long as it is an unknowable and malleable phenomenon.
will not fail to remind you.

'Today my mother died; or yesterday, I don't know.'
Albert Camus's The Stranger begins with the news of a death.
opens the door to a discussion about existence. Mersault's death and dying
the instinct to live in response is nothing more than ordinary behavior. It is
mediocrity allows his memory to exist outside his own time and
into obscurity. And so Mersault's timeless
His memory becomes fragmented, fragmented and 'alien' to everything around him.

Three 'male' childhood friends. A coincidence. A drinks table. And memories playing hide and seek in their minds. Unwanted events that follow like shadows. This game is the transformation of the memory that escapes being midwife into a game. And who is the midwife in this game?

The play takes place between Palika, who is washed away by a storm and finds herself on a beach she has never seen before, and Putnik, who comes to camp on the beach. At first, Palika and Putnik are hesitant of each other, but in time they get along with each other, but there is a small problem: neither of them speaks the other's language. But how important is this for them? Will language be a barrier to help each other?

One of the most important names of 19th century literature, Edgar Allan Poe's The Murder in the Rue Morgue has been a source of inspiration for many writers and has remained popular for over a hundred years. Based on a newspaper article in France, this work is about the process of finding the murderer with the help of an analyst named Auguste Dupin, who investigates an unusual murder in the Rue Morgue. 'The truth is not always at the bottom of a well... We seek knowledge in the depths of valleys. It is at the top of the mountains...'

About the Game: According to the legend in Aishkylos' Agamemnon, the great commander Agamemnon, who did not come empty-handed after the Trojan War, brought Kasandra as a trophy. So what happens when an ordinary man today returns home from the supermarket, not Troy, with a bunch of unrelated things he never wanted? This man, who loses control, piles the supermarket bags in front of us with all their weight and makes us ask the question while fulfilling his 'basic need': Where should we look for hope in this shitty tragedy?

The Hunger Artist is the last work written by Franz Kafka. The 'artist', who performs his art by starving, will continue to do so throughout his life. It is enough for him to be in the public eye and draw attention to himself. The manager, on the other hand, takes advantage of this hunger of the artist and turns it into a spectacular entertainment. In the adaptation process, Kafka's layered text has been faithful and the image of this entertainment has been made visible.

The writer wrote it. The actor and director did no preparation. When you settle on stage, the actor will start reading the play he knows nothing about. And you will listen and play. Because the author wants that.
Note Nobody knows what will happen except one person.

Franz Kafka's world-famous story still retains its popularity and contains a network of relationships that overturns almost all social values. The fact that the author makes this relationship situation visible through the concept of 'family' is undoubtedly the biggest factor in ensuring its popularity. The Samsa family, who shape their lives according to 'Gregor', who is also at the center as a staging, are subjected to a great 'Transformation' with the 'Change' of 'Gregor'. This 'transformation' takes place on the family. Gregor's 'Change' is the search for freedom of 'Gregor' who has been working for years and providing for his family and has no social life.

Dear Wilhelm, I met a very beautiful woman here. Her name is Charlotte. I know that she is engaged to a very clever man, but that knowledge is of no importance to me. That's why she doesn't return my love. And I have decided, Wilhelm, that I want to die. And I need a few people to tell me.

A mole-human builds its nest and begins to build a relationship with it. But this relationship takes a strange turn as time passes. Is the nest a place of refuge, a place of escape, or a place of freedom?

Trapped under the guise of love, children accepted the power that ruled them and established standards of behavior that they would maintain.*

*Ritchie Robertson 'Kafka' pg. 100